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By Mark Bould,Kathrina Glitre,Greg Tuck,Mike Hodges

Neo-noir is aware its previous. It is aware the principles of the sport -- and the way to damage them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational worldwide phenomenon. This wide-ranging assortment maps out the terrain, combining style, stylistic and textual research with Marxist, feminist, psychoanalytic and commercial techniques. Essays speak about works from the united states, united kingdom, France, Japan, South Korea, Hong Kong and New Zealand; key figures, reminiscent of David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; significant conventions, equivalent to the femme fatale, paranoia, anxiousness, town and the hazard to the self; and using sound and colour.

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Neo-Noir by Mark Bould,Kathrina Glitre,Greg Tuck,Mike Hodges

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