By Karl Reichl
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This quantity discusses, from an old and literary attitude, the ways that sanctification and the inscription of saintliness occur. Going past the conventional different types of canonization, cult, liturgical veneration and hagiographical lives, the paintings increases primary matters touching on definitions of saints and saintliness in a interval sooner than the concept that was once crystallized in canon legislation.
Of their perform of aemulatio, the mimicry of older versions of writing, the Augustan poets usually seemed to the Greeks: Horace drew concept from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. yet by the point of the nice Roman tragedian Seneca, the Augustan poets had supplanted the Greeks because the "classics" to which Seneca and his contemporaries referred.
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Medieval Oral Literature (De Gruyter Lexikon) by Karl Reichl