By Gail Holst-Warhaft
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This quantity discusses, from an historic and literary perspective, the ways that sanctification and the inscription of saintliness occur. Going past the conventional different types of canonization, cult, liturgical veneration and hagiographical lives, the paintings increases primary matters relating definitions of saints and saintliness in a interval prior to the idea that was once crystallized in canon legislations.
Of their perform of aemulatio, the mimicry of older versions of writing, the Augustan poets frequently seemed to the Greeks: Horace drew thought from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. yet by the point of the good Roman tragedian Seneca, the Augustan poets had supplanted the Greeks because the "classics" to which Seneca and his contemporaries referred.
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Additional resources for Dangerous Voices: Women's Laments and Greek Literature
Dangerous Voices: Women's Laments and Greek Literature by Gail Holst-Warhaft