By Robert Boenig
In C. S. Lewis and the center a while, medievalist Robert Boenig explores Lewis’s own engagement with medieval literature and tradition and argues convincingly that medieval modes of creativity had a profound influence on Lewis’s innovative fiction.
The heart a long time affected Lewis in several methods. Early in his lifestyles he came upon medieval narrative compelling, sharing his love for it with others and primary experiencing the serious non secular longing he termed “joy” via his engagement with it. He went directly to construct a winning occupation as a pupil who used to be, as he placed it, “chiefly a medievalist.” His inventive writing not just inspires the center a while but in addition adapts the medieval means of appropriating and changing earlier texts as a method of producing new tales. realizing Lewis’s inventive appropriation of prior resources is key for a whole evaluation of his success as an artistic writer.
For Lewis, the medieval was once specifically a spot the place he encountered the religious. It used to be throughout the medieval in its mode of Norse myths, fairly these concerning the Norse god Balder, that he skilled “joy.” He extremely joyful in looking this pleasure via medieval books, like these of Malory or Chaucer, and likewise via extra glossy works that evoke the center a while, equivalent to the prose romances of William Morris. one of the works of devotion and spirituality that Lewis continuously learn towards the tip of his existence have been the medieval classics The Imitation of Christ through Thomas à Kempis and Revelations of Divine Love by means of Julian of Norwich. The medieval for Lewis was once a spot the place he could—and did—encounter God.
Using Lewis’s inner most correspondence, scholarly books and articles, and artistic writing, Boenig charts Lewis’s involvement with all issues medieval, demonstrating the significance of the center a while in any overview of Lewis’s literary achievements.
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C. S. Lewis and the Middle Ages by Robert Boenig